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Last Friday I went round my friend and Wears The Trousers editor Alan’s house and we made this video:

Hope you like it. It was really fun to make. The song is from WTT curated charity album Beautiful Star: The Songs of Odetta, which features contributions from Ora Cogan, Ane Brun, Marissa Nadler, Anais Mitchell and more. Get your hands on one! The artwork is beautiful. It’s out TODAY.

I’m WELL into animating stuff at the moment. If you fancy it, here is a weird one I made about FEELINGS. I also made the music. And here is that Tristram one I made, and here is one about MacDonalds.

If you want me to make a video for you, tell me now: anikainlondon@gmail.com

The Allotment is just a couple of days away! This Tuesday December 1st at The Betsey Trotwood. We are really excited. There’ll be all the usual cake and tiffin and general loveliness. I have to go to the Post Office tomorrow to pick up some gnomes.  The Allotment is one of my favourite things about this year; there’s always a really warm atmosphere and lots of nice people come. Please come! Tickets can be bought in advance from We Got Tickets, or on the door. The last two sold out on the door so if you really want to come either buy in advance or get there early.

We are so excited to have the lovely Caitlin Rose headline for us. If you haven’t heard her music yet go here. Listen up! Then come to The Allotment and eat some cake and listen to Caitlin! 

I know I’m super late to the Lisa Hannigan party, but after seeing her live I’m enjoying her music much more. She has this particularly beautiful song called Lille from her 2009 record Sea Sew.

Her voice is superb, and there’s sweet harmonium and beautiful sparkly glock. It’s such a beautiful song… listen.

Before the Monotonix show on Thursday I headed over to the Luminaire with my friend Chris to audio record a few of songs with the lovely Laura Gibson for the  Broken Sound podcast. Before we did that we got to watch Laura soundcheck with Musee Mecanique- a very talented duo. It was amazing!

I would have loved to stay for the show, but it was a treat to get to hear a few songs in the audio session and in the soundcheck, one of which was Take This Waltz. I couldn’t believe my luck. They soundchecked the whole song and it sounded absolutely stunning. It’s a cover of the Leonard Cohen original, and features (probably my favourite instrument) musical saw! It was absolutely wonderful and I’m so glad I got to hear it live. Despite having quite a long, arduous couple of days, Laura was a complete joy to be around. If you haven’t listened to her yet- do it! She has a beautiful, gentle voice and her songs are hugely sweet. Her Myspace is here.

Here is a fantastic video of Laura and her band playing Take This Waltz in an epic church in Oregon. It sounds wonderful. Beautiful. I love it so much, the musical saw is perfect. The glock and the accordion are also beautiful touches. I love it.

What’s this? !!! Go to Leah Hayes’ blog.

Listen to that song. Listen to her voice. Absolutely incredible! Wowee. SO TALENTED, that lady! SO talented. Good skills.

Here is an illustrated run through how Monotonix’s set went down at the Scala.

It was calm…

Then this guy came and lay on the floor:

Then he started shaking around:

Then the singer came and poured water all over him and dragged him round in circles:

Uh-oes. Then they did this weird handstand thing:

They were really loud…

The singer climbed all over the drummer (who kept on drumming):

This is one frame before he pulled his shorts all the way down. YES. We saw his behind. TOO MUCH…

Then he picked up a random girl and lifted her up for a while, kissed another random girl, tried to jump into a bucket, and then fell into me. Then, he stole a guy’s hat:

They had a dance off, tossing the hat between them:

He put the hat down his shorts. Then the guy whose hat is was rubbed the hat all over his face. It was weird. Then the singer recruited people to hold his drum kit and stool:

No way was I going to help. This guy was well up for it though:

And so were these folks:

He had successfully managed to get people to hold him up. Hurrah:

Then they drummed and played guitar and sang all around the audience:

THE END.

And then I went upstairs and saw Phosphorescent after. Chuckle chuckle chuckle. What a crazy evening. I’ll review Phosphorescent later. My right side still hurts from having the singer fall into me after he tried to jump in the bucket and failed and just fell over (into me). I can’t say Monotonix are my thing musically, at all, but they really do put on a great show.

So sorry if I haven’t replied to an email. Send me a reminder if you think I might have forgotten. I’ve got so much stuff to do! How is that even possible? I have two comics here:

Emily Loizeau, last Thursday:

SEE

This one is mostly about milkshake…

SEE

Oops, I just looked at that last Antlers post, and it’s stupidly long. Apologies.

The gist is:

1. The Antlers are amazing

2. The Antlers are amazing

3. Epilogue is probably the best thing ever

4. The Antlers are amazing.

Additional points:

1. The Antlers are amazing

2. I miss them already. Sob sob sob.

3. They loved Nando’s. Darby loves the wings, especially.

4. The Antlers are amazing.

So good I have to review it immediately. I was so hugely looking forward to this show, and I wasn’t disappointed in the slightest. Absolutely wonderful. So prepare yourself for a poorly structured, super excitable post about my evening of JOY.

I headed down to the Bush Hall early. The show had sold out and I was hoping for there to be a spare ticket for a friend, and there was. Epic win #1. Firstly, I think it’s amazing the band sold out Bush Hall. I’m so happy for them. They completely deserve every bit of success that comes their way, and it was such a joy to see them play to a packed out room. There’s nowhere in the world that I would’ve rather have been that evening. It just makes me happy that people are hearing this amazing band who, really, are something so special.

The doors opened and Peter and Darby where there. I can’t write enough good things about this band, really. They are such warm and welcoming people and it was so lovely to see them again. They wanted some dinner and I told them about the Nando’s down the road… they offered to take my Nando’s stamp cards to get stamps towards free chicken. How lovely is that!? They are such genuinely lovely people, and I love them hugely.

The support was Norway’s I Was A King. They were nice. I was just terribly impatient and wanted to go straight to The Antlers. I do have to say, the guitarist was incredibly fast at changing guitar strings. She was like lightning! Good work, that lady. So finally, it was actually time for The Antlers and the lights went down. I was ridiculously excited. I think anyone who has seen me this week would have had me say ‘WOOO ANTLERS!’ at them at some point.

They opened with Kettering. I’m trying to articulate just how magical everything is live, and it’s really difficult. They are such a brilliant band; it’s the whole thing. Peter’s vocals are so powerful and beautiful, everything Darby adds is spectacular, and Michael is an excellent drummer- and they all play so well together. You can’t fault them.

From Kettering they went to Sylvia. It is such a beautiful song. The loud parts are crushing, the quiet parts are heart breakingly beautiful. The way Peter sings every word with so much soul and emotion… it made me want to cry. It was so wonderful. He extends some words and screams others… it gives you chills as he howls ‘let me do my job!’. Towards the end of the song there is a pause… and then the music and vocals come back in. Peter slows all the words down and sings ‘Sylvia, I only talk when you are sleeping. That’s when I tell you everything, and imagine that somehow you’re going to hear me.’ It couldn’t be any more perfect.

Then, after Sylvia, in came the lullaby-esque introduction to Bear. The keyboard part is just so beautiful. It was SO BEAUTIFUL! (I have resorted to shouty caps, really sorry). The only word for it is ’swoon’. I was swooning. It was just overwhelming. Watching these three people make such gorgeous sounds… I felt so lucky. It really is so special. How can three people make such wonderful sounds that emote such passion and feeling, that translates and pulls the audience in like that? You can’t help but feel so connected and close to the songs. That is something truly special.

Bear led right into Thirteen. It just completely washes over you and sucks you in, and then Peter and Darby sing ‘pull me out, pull me out, can’t you stop this all from happening?‘. It killed me, I was ready to bawl. There’s such a depth to all their songs, I wonder if people could fully appreciate the power of their songs if they hadn’t heard the record. I love Thirteen. It breaks my heart. I think one of my new life goals is to hear them play it with Sharon live. So much goodness there. If you do want a taster of Thirteen with Sharon, NYC Taper has a recording of the album launch show with Sharon singing. It’s wonderful. I love the version with Peter and Darby singing too, it’s brilliant.

Next came Atrophy and Shiva. Both stunning. Shiva just sounds so powerful live. Just the crashing, raw energy is stunning. When Peter yells ‘the sensation was scissors and too much to scream‘… the way he sang it was ridiculously wonderful. Two came next… it has such a gorgeous opening. It was breathtaking. Absolutely breathtaking. What I loved so much about this show is that it felt like the record, like you were on a journey. It all flowed so wonderfully. The drums in that song are particularly amazing. Yeah, I’m not going to list all my favourite parts of that song (I just tried), because I would basically be writing out the lyrics and saying how I love every single part. Perfect.

Next came two songs that I hadn’t heard the band play live before. First, it was Wake. It was such a joy to hear. Wake is so beautiful. Peter has such fantastic control of his voice. When he sang ‘when your helicopter came and tried to lift me up I put it’s rope round my neck‘ I just died. It was so beautiful. Hospice is such a special record, lyrically, it’s mind blowing. It’s written in such a powerful way, you can’t help but be sucked into this heartbreaking story. Wake is the second to last track on the record, and you feel like you’ve been there through it all, and you just want to cry. Musically, they’ve just made it so that the guitar, keys, drums, everything, reinforces the power of the words and, all the little interludes and instrumental parts really speak in their own right. It was so special to hear that song live. There’s such a glimmer of hope, as the drums picks up ‘I’m letting people in’. It touches my heart. 

After Wake they left the stage and, after lots of cheering, they returned for Epilogue. One of my favourite things ever. I had never heard them do this before. It was mind blowing. A’cappella opening. A cappella! YES! I had tears in my eyes. The drums, and when the tambourine came in… it was like someone tapping on my heart! Michael is so modest, later in the evening I said how wonderful that part was and he said thanked me and said ‘oh, I gotta do something back there’. He’s such a great drummer. Through the whole show, the single line that got me most was ‘but now it’s not a cancer ward, we’re sleeping in a morgue’. If I wasn’t actively trying not to cry like a baby, I would have. I had a huge lump in my throat and tears in my eyes, it’s so powerful. That line really got me. It’s the end of a journey, it’s over. It’s amazing that Peter could take such a destructive experience and turn it into such a powerful, special record. Then after the quiet start, when things get loud and Peter raises his voice… it just is even more devastatingly perfect.

And there you have it. Quite possibly my favourite show of 2009, no band has ever touched my heart like that.

Whatever you do, don’t miss their show on March 3rd. I love this band so much. I want everyone to get to see them. If you like the record you’d have to be insane to miss them. They are nothing less than phenomenal. Brilliant. Get Hospice if you haven’t, fall in love with it, go see them live. I think there’s some really bright things in store for The Antlers, and they truly deserve it. So much love for that band and their beautiful music.

THE ANTLERS.

What a wonderful gig! I am largely unfamiliar with Lisa Hannigan’s songs but my good friend Bobbles (who took that fine photograph) had a spare ticket and kindly invited me along to see Lisa play at the wonderful Royal Festival Hall. What a treat.

It was my first jaunt at RFC and it truly is beautiful. The sound was perfect and the balcony and boxes all looked very lovely, and the lighting! Oh, the lighting! Marvelous. I was not shooting but I still dig good lighting.

Lisa and her band played a wonderful set. Because I’m not that familiar with her work I can’t really comment in much detail- but I can most certainly say that Lisa and her band are excellent performers. They sounded fantastic, everything was spot on, and they were so charming. Lisa seemed so appreciative of the audience and it was really endearing seeing her dedicate a song to her mum, who was in the Royal Box. It was such an enjoyable show. Lisa’s voice is quite whispery and soft but she can really belt it out as well.The glock, harmonium, and violin parts were all particularly lovely touches to some great songs. Lille was absolutely beautiful, and for the encore she did a playful little snippet of the Ghostbusters theme tune as a joke. It was very sweet and I’m pretty sure it brought a smile to the face of everyone in the room. Go see Lisa Hannigan: she is brilliant. And listen to Lille- such a gorgeous song.