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Hello

I’m going away! Today.

I am going to Colorado/Wyoming/Utah and some places around there. Pretty nifty. I’ll be away until July 12th.

Also I just spent a large amount of monies on this. I’ve wanted it for so long; I’m pretty excited about the photos I’ll be able to take now, as well as the video capabilities!

The camera has a full frame sensor, so I won’t be able to use my Sigma 30mm 1.4 lens on it. I will be selling it, so if you’re interested have a look here to find out more and then drop me an email, I’ll reply when I’m back. It’s a fantastic lens, I use it much more than my Canon 50mm and I feel sad to see it go. It’s so great at focusing and getting lovely images. Here are a couple of snaps I’ve taken using the 30mm:

A really brilliant quality lens and I honestly would not sell it if I could still use it on my new Canon body. It’s perfect condition pretty much. New, it sells for £350 odd, so perhaps if you like the look of it you could mail me an offer. I don’t really know how much they go for second hand. It’s a Canon fit, obviously.

Not sure if I’ll have internet anywhere, but if I do I might stop in and do a crafty blog post. But maybe not. We’ll see.

Oh yes, please go to this. I will not be there, unfortunately. But my nice and lovely friends will be there taking care of the show for me. It promises to be super lovely, the music will be a real treat, and so will the cupcakes.

That’s all! Bye!

Tonight I went to see Dave Longstreth & co play a very special show at the Barbican, in which the Dirty Projectors played two sets- one, a performance of ‘The Getty Address’ and one of ‘Bitte Orca’ songs.

‘The Getty Address’ is a concept album about Don Henley. It’s pretty abstract and has lots of things that sound nice. They all dressed like wizards a bit:

Performing with Dirty Projectors was the brilliant Alarm Will Sound, a chamber orchestra with it’s roots in New York. It was completely wonderful to hear the songs performed live and so perfectly.

The second set comprised of the more recent Dirty Projectors material. I love the album ‘Bitte Orca’ so much; it’s grown to be one of my most favourite releases from last year and I love every track on the album. It’s almost been a year since I first saw them play, and I’ve been keen to catch them again since. This was a real treat.

They only played seven songs, but each one was so incredible. Dave and Angel opened as a duo performing ‘Two Doves’, it was beautiful.

The band were on top form and were really rocking. The girls in the band just have the most incredible voices and the interplay between them is fantastic; every member of the band played with a great enthusiasm and energy. Brian Mcomber was grinning ear to ear and hammering the drums, Dave was bouncing on his toes, and they all were super into it. I just wanted to stand up too- sitting down felt wrong. I love watching Amber sing ‘Stillness Is The Move’. She really belts it out.

Such a great set, I enjoyed it so much. Easily one of my favourite performances of the year. I couldn’t help but smile while I was sitting there marveling at how amazing they were- that’s always a sign I’m watching something truly special.

They came back for an encore, in which they performed one new song from their forthcoming album with Bjork. Dave mentioned it’s going to be released next Wednesday. Super soon! The song was fantastic and I can’t wait to hear the recorded version.

Such a unique and amazing band. Go see them live.

DTB is going away for a while! Sadface. David is witty, charming and completely genuine. His last show here for a while is on July 7th at Camp Basement. Don’t miss out! Unfortunately, I will not be there and will hence be square. I’m away, otherwise I would go.

Tickets are just £5. What a snap.

I’m not sure who took that photo, but it’s nice and from the Profile Gallery, Saltburn/

You should go so you can hear ‘Ain’t Got No Sole’, I’m hooked on the song. It’ll be on his forthcoming album.

Listen to him.

I had a lovely evening last night courtesy of Bella Union and four of their lovely artists- Lone Wolf, Alessi’s Ark, Mountain Man and John Grant. Mountain Man were especially stunning. Three ladies, performing mostly acapella and completely unplugged. Swoon-fest. So many nice harmonies. Lovely lovely lovely to see Alessi as well.

Tune-Yards at the Scala

When I saw Tune Yards (it’s a bit too much effort to type tUnE-YarDs every time) earlier this year at Cargo, I was completely blown away. Merrill Garbus is so hugely talented and completely hypnotic; a truly unique and fantastic performer. Her songs are tribal and punchy; she plays the ukulele, loops her voice/beats, and hammers a drum. This time she was not only joined by her bassist (who is completely brilliant), she also had company from two additional drummers and a guitarist.

She played songs from ‘BiRd-BrAiNs’, her debut album released last year via 4AD. The songs really come to life when you watch her perform them, as well as just listen. Her eyes bulge, she waves her drum stick in the air and she generally just looks a bit possessed by the music. It’s amazing and so wonderful. Her voice is so powerful! It’s incredible.

My favourite song from the set was ‘Gangsta‘. It’s not yet on any release, but I can’t wait to hear it recorded. Just so I can listen on repeat.

More photos here. One of the most talented and stunning performers I’ve seen this year. She’s amazing- go see Tune Yards live.

I haven’t seen St. Vincent play in almost eight months now! That’s way too long. She’s been a favourite of mine for a few years now:

SO brilliant. So great live. Such great songs.

Believe it or not, when I first heard ‘Marry Me’ I didn’t think much of it. I have no idea why. Then all of a sudden, a couple of months later, I realised how great it is. Silly me. She is so great.

Interview: Wye Oak

Jenn, of the wonderful duo Wye Oak, answered some questions below. They are brilliant and I really recommend checking out their last EP and albums- Wye Oak. Their fuzzy, dark, folk noise will win you over! Check it out.

Can you make two sentences that rhyme to describe your band?

It’s awfully hard, with music, to define

without also having to consider achieving rhyme.

That’s a cop out; but the truth is

my attempts were all like half-assed seuss-es.

Hope this isn’t the first question;

what a ridiculous first impression.

Stopping now, so as to prevent

any additional embarrassment.

[ed: BEST ANSWER EVER.]

“My Neighbor/My Creator” is the best thing I’ve heard in ages. Are you happy with how it turned out?

Yes, we were very pleased with how it came together. Typically, the more relaxed, loose setting of an EP is a good opportunity to experiment, learn, and stretch…it was a lot of fun for us. Also, it was the first time we had worked with others in the studio, namely our co-producers and engineers Chris and Mickey Freeland, and we were happy to have the chance to learn from the experience before attempting another full-length. (Soon!)

How did that remix of ‘That I Do’ come about?

Mickey Free is a great friend, has been familiar with our music from the very beginning, and was a valuable contributor to the recording and mixing of the EP. We’re big fans of his music as well, so it was exciting for us to see where he might take one of our songs. Couldn’t be happier with how it turned out.

What have you been listening to lately?

Some wonderful Baltimore bands have releases in the works. Lower Dens is the new project of Jana Hunter, who has done several solo albums on the Gnomonsong label. Their new album, “Twin Hand Movement,” is pretty unbelievable, and we’ve both been listening to that tons. We’ve also been loving “In Evening Air” by Future Islands, another great Baltimore band.

What’s something you’re excited about?

Excited about this years Baltimore Ravens (American) football team. We Baltimoreans take a lot of pride in our home team, and it’s looking to be a great season for us.

I feel sad that I missed your UK appearances last year. Do you enjoy touring?

Yeah, those UK shows last year were a blast. We played the End of the Road Festival out west of London, and also got to play at Scala in London. We’re really hoping to get back over to EU/UK before long. I’m kind of sad it’s taken us so long to make it happen, but I guess there are a lot of logistics to sort out. We’re very much looking forward to making it back as soon as possible!

What’s your favourite place to play?

I have always loved the Black Cat in Washington, DC. They’re very kind to us there. As for overseas, we played at Botanique Rotunda in Brussels on our last trip, and that was a pretty magical place.

Do you work day jobs back home?

Yes. Jenn works at an American Southwestern restaurant with delicious food which converts itself into a great music venue on most nights. Andy does freelance work on various television and commercial shoots around town.

What’s next from Wye Oak?

We’ll be recording a new full-length in the next couple of months, then doing a little bit of touring around the States. Hopefully we’ll be back over to the UK in early 2011.

Wye Oak are brilliant. Have a listen to them over here and keep your ears out for their next album.

Charlotte Gainsbourg at Shepherd’s Bush Empire

Last night I headed over to SBE to checkout Charlotte Gainsbourg play her first London show. I’ve been a fan of ‘5:55′ pretty much since it came out, but haven’t heard her latest release.

Opening was Jewish (he really wanted us to know he was Jewish) Chilly Gonzales. The man was hilarious and a truly incredible pianist. I didn’t realise he was the Feist collaborator until I was watching him. He was hammering those keys! I don’t think I’ve ever seen someone sweat so much at the piano. He was wearing gloves, a dressing robe and slippers.

The audience were being so rude and chattering really loudly. He repeatedly shouted and swore at them telling them to shut up, but he did it in a really charming and funny way; “Come on London, shut the hell up for Uncle Gonzo now”. It worked pretty well and he even got people to sing a long with him. He played some beautiful piano pieces and added some witty, bizarre, lyrics which he sung/rapped. When he found out he only had three minutes left he decided to do a super fast, three minute recap of everything that happened in his set (for the benefit of latecomers). It was great and I loved his show.

Charlotte Gainsbourg played with a full band (who were sooooo tight). It all felt a bit too staged and clean for my own personal preference; so it seemed to be missing any real punch. Charlotte Gainsbourg herself was pretty magnetic in her own way, and seemed to be enjoying performing. I really recommend checking ‘5:55′.

I spent the whole of Sunday at the Southbank Centre. First, in the Clore Ballroom shooting Bandstand Busking. Here are just a few shots, loads more here.

Slow Club, Johnny Flynn, Kate Tempest:

Then after that I went and saw Elvis Costello at the Royal Festival Hall:

More photos of him here.

Southbank is great! The Meltdown Fetsival was incredible and Richard Thompson really was a brilliant curator.

Interview: WOOM

WOOM is a little treasure made up of Sara Magenheimer and Eben Portnoy. I got to see them play recently; they had a brilliant energy to their live show and I’d really recommend catching them when they’re back here. Their record is called ‘Muu’s Way’ and is out very soon. Check them out! Hear their songs! Sara and Eben are off traversing Europe but still found time to kindly answer some questions…

Hello. Your London show with Xiu Xiu was brilliant. Did you have a nice time on tour?

Sara: Yes, we’ve had an amazing tour and we’re still on it! Yesterday we played on a raft in the river in Leiria, Portugal.

I like writing things in shouty caps, and thus I like your band name. Why are you called WOOM?

Sara: Symmetry, birth, roundness, sharpness, and the sound.

Eben: We like how the sound can be warm and enveloping and also fast and explosive.

How did the two of you meet?

Eben: Through a series of accidents.

Do you have day jobs?

Sara: Yes, when not on tour. We have to be creative about how we live in order to have time to do our creative work.  We’re also both visual artists as well, which is not incredibly lucrative.

How would you describe your album to someone who hasn’t heard it?

Eben: Your summer jam!

I really loved the album. Are you enjoying playing the songs live and do you have a favourite song to play?

Sara: Thanks! Yes, it’s fun to play live, especially when people dance and respond. There’s nothing better. For us playing out is really about connecting with the audience and making a new experience together every night, so it works best when people are open to being a part of the music.  When that happens it’s transcendent, and we’ve been lucky to get some amazing audiences on this tour.  Muu’s Way was partly inspired by other artists who’s performance work is directly engaging- Judith Malina and The Living Theater, Jerome Rothenberg, Lygia Clark, and Brigitte Fontaine.

Eben: “Backwards Beach” is really fun to play live, and we usually open our set with it. Lately we’ve been playing a cover of Elizabeth Cotton’s “Freight Train”, which has been fun to experiment with while on the road.

What have you been listening to lately?

Eben: All the bands we’ve been playing with on tour! Xiu Xiu were amazing to hear live, and we also met many great bands like I Camillas, Father Murphy, Comaneci, and Bob Corn.

Do you ever do any covers?

Eben: Sometimes, yes! The Elizabeth Cotton song, and once in a while one by Arthur Russell.

What is your opinion on the Kate Bush song ‘Wuthering Heights’?

Sara: I like it.  I’m no rabid Kate Bush fan, but I find her virtuosity really amazing.

Eben: I love the chorus melody. The song is really strange. All the instruments seem to be in the same range so it all meshes together into one plane like bird chatter.

Sara, if you could give Eben a super power, what would it be and why?

Sara: The power to speak any language!  It would make touring foreign countries so much nicer. (When on tour for this long all our longings get very practical.)

Eben, if you could give Sara a super power, what would it be and why?

Eben: The ability to burrow like a mole and super-human strength, so that she could pull us to all our destinations, beneath traffic jams and road blocks, and also so that we would have nice quiet, dark burrows to sleep in every night.

What are some of your plans for the rest of 2010?

Sara: Moving to LA, playing more music, recording, working on a textile project with Alula Editions, a few other secret projects…

Eben: I’m moving to Hollywood to be in the movies.